Why ‘The Brutalist’ Star Guy Pearce Imagined a Big Game Hunter to Prepare for His Tycoon Role
- January 7, 2025
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TheWrap Magazine
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Why Transforming Colin Farrell for ‘The Penguin’ Was ‘Harder on Every Level’ Than ‘The Batman’
TheWrap magazine: Makeup designer Mike Marino says the biggest challenge in creating Oz Cobb’s look was fighting that thick head of hair
The post Why Transforming Colin Farrell for ‘The Penguin’ Was ‘Harder on Every Level’ Than ‘The Batman’ appeared first on TheWrap.
How ‘Only Murders in the Building’ Season 4 Found Its Hollywood Doppelganger Trio
TheWrap magazine: Casting directors Tiffany Little Canfield and Destiny Lilly explain how Eugene Levy, Zach Galifianakis, Eva Longoria and others joined the star-studded cast
The post How ‘Only Murders in the Building’ Season 4 Found Its Hollywood Doppelganger Trio appeared first on TheWrap.
Clothing Steeped in History and Meaning: Inside the ‘Shōgun’ Costumes
TheWrap magazine: Emmy-winning costume designer Carlos Rosario explains key pieces from the epic series’ stunning wardrobe
The post Clothing Steeped in History and Meaning: Inside the ‘Shōgun’ Costumes appeared first on TheWrap.
‘A Complete Unknown’: How Its Designers Brought Back Greenwich Village – and Bob Dylan’s Skinny Jeans
TheWrap magazine: “We’re not making a documentary, but we’re trying to excavate the essence of Dylan,” costume designer Arianne Phillips says
The post ‘A Complete Unknown’: How Its Designers Brought Back Greenwich Village – and Bob Dylan’s Skinny Jeans appeared first on TheWrap.
Inside the Filming of Norway’s Oscar Entry ‘Armand’: ‘Going More and More Crazy Together’
TheWrap magazine: “It made sense to turn it into a nightmare,” director Halfdan Ullmann Tøndel says
The post Inside the Filming of Norway’s Oscar Entry ‘Armand’: ‘Going More and More Crazy Together’ appeared first on TheWrap.
Iranian Director of ‘The Seed of the Sacred Fig’ Explains How He Landed His First Oscar Submission – By Fleeing to Germany
TheWrap magazine: The Cannes prize-winning thriller by the exiled Mohammad Rasoulof is a family drama about public protests for women’s rights in Iran
The post Iranian Director of ‘The Seed of the Sacred Fig’ Explains How He Landed His First Oscar Submission – By Fleeing to Germany appeared first on TheWrap.
Jeff Nichols’ Favorite Part of Making ‘The Bikeriders’: Watching Tom Hardy and Jodie Comer Go Head-to-Head
TheWrap magazine: “It was our version of the scene from ‘Heat,'” the director says, nodding to the Al Pacino-Robert De Niro classic
The post Jeff Nichols’ Favorite Part of Making ‘The Bikeriders’: Watching Tom Hardy and Jodie Comer Go Head-to-Head appeared first on TheWrap.
‘Nickel Boys’ Director RaMell Ross Says Making Movies Is Like Jumping on a ‘Weird Carousel’
TheWrap magazine: “Cinema lends itself to the play between the surreal, the symbolic, the experiential, the nonsensical and the aesthetic,” he says
The post ‘Nickel Boys’ Director RaMell Ross Says Making Movies Is Like Jumping on a ‘Weird Carousel’ appeared first on TheWrap.
How ‘Will & Harper’ Took on a ‘Whole New Meaning’ After Trump’s Election
TheWrap magazine: “The only way to push back against this hate and division is with love and empathy,” director Josh Greenbaum says
The post How ‘Will & Harper’ Took on a ‘Whole New Meaning’ After Trump’s Election appeared first on TheWrap.
How the Music for ‘Frida’ Documentary Gave ‘Inner Voice’ to the Beloved Artist
TheWrap magazine: Victor Hernández Stumpfhauser explains how he used guitar, synthesizer and the human voice to build the film’s triumphal score
The post How the Music for ‘Frida’ Documentary Gave ‘Inner Voice’ to the Beloved Artist appeared first on TheWrap.