TheWrap magazine: Cinematographer Adam Newport-Berra and production designer Julie Berghoff go behind-the-scenes on the production of the Seth Rogen comedy
The post How ‘The Studio’ Staged Long Shots and Made Its Own Frank Lloyd Wright Building appeared first on TheWrap.
The film directed by Colin Hanks and produced by Ryan Reynolds will be the first non-music doc to open TIFF
The post John Candy Documentary ‘I Like Me’ to Open 2025 Toronto Film Festival appeared first on TheWrap.
Cannes 2025: The Iranian director, who spent most of the last two decades imprisoned or muffled, marries humanism and anger
The post ‘It Was Just an Accident’ Review: Jafar Panahi Returns to Cannes in Person, and in Fine Form appeared first on TheWrap.
Cannes 2025: Tarik Saleh’s drama is less interested in the process of filmmaking than in its use in propaganda
The post ‘Eagles of the Republic’ Review: Movies and Politics Don’t Mix, Says This Movie About Politics appeared first on TheWrap.
Cannes 2025: Director Anne Émond takes the anxieties that underlie any romantic comedy and blows them up to global proportions
The post ‘Peak Everything’ Review: Offbeat Canadian Rom-Com Finds Love in the Face of the Apocalypse appeared first on TheWrap.
Cannes 2025: Cohesiveness or coherence are not high on the list of the attributes of Klebel Mendonça Filho’s film, but its messiness is part of its charm
The post ‘The Secret Agent’ Review: ’70s Brazilian Romp Includes Wagner Moura and a Rampaging Severed Leg appeared first on TheWrap.
Cannes 2025: Raoul Peck’s film is an artful balancing act that dips in and out of Orwell’s life and work and swings from history to art to the most current of events
The post ‘Orwell: 2+2=5’ Review: Angry Documentary Is as Much About Us (and Donald Trump) as About George Orwell appeared first on TheWrap.
Cannes 2025: The singer and his director, Andrew Dominik, use startling visuals and reimagined songs to make this glorious mashup of life and music
The post ‘Bono: Stories of Surrender’ Review: U2 Frontman’s Life Story Is Grand and Bombastic, the Way We Like It appeared first on TheWrap.
Cannes 2025: Oliver Laxe has made one of a growing number of Cannes films that suggest that we live in dark, dangerous and troubled times
The post ‘Sirât’ Review: Techno-Fueled Road Movie Is ‘Mad Max’ Without the Stunts or the Fun appeared first on TheWrap.
Other winners include “Nickel Boys,” “Shōgun,” “Ripley” and “Sugar”
The post ‘Maria’ Wins Top Award From American Society of Cinematographers appeared first on TheWrap.